Project publications
Wöllner, C., Hammerschmidt, D., & Albrecht, H. (2018). Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses. PLOS ONE, 13(6): e0199161. [DOI: 10.1371/journal.pone.0199161]
Hammerschmidt, D., & Wöllner, C. (2018). The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes. Journal of Eye Movement Research, 11(2):10. [DOI: 10.16910/jemr.11.2.10]
Conference presentations and proceedings
Wöllner, C. (2019). Time dilations in music and audiovisual media. International Symposium on Hearing (musical) scenes, Hanse-Wissenschaftskolleg Delmenhorst, Germany.
Hammerschmidt, D., Visi, F., & Wöllner, C. (2018). Sensomotorische Synchronisation zu Musik und die Wahrnehmung von Zeit. In 34. Tagungsband der Deutschen Gesellschaft für Musikpsychologie (pp. 56–57), Justus-Liebig-Universität Gießen, Germany.
Wöllner, C. (2018). Shared musical and movement features in free jazz improvisation. 15th International Conference on Music Perception and Cognition (p. 81), Concordia University Montreal, Canada.
Hammerschmidt, D., & Wöllner, C. (2018). Eye movements in film perception: The Impact of emotional music and playback speed. 15th International Conference on Music Perception and Cognition / 10th Conference of the European Society for the Cognitive Sciences of Music (p. 172), University of Graz, Austria.
Visi, F., Hammerschmidt, D., & Wöllner, C. (2018). Using Unimanual and Bimanual Tapping to Explore Synchronisation with Musical Rhythmic Layers. 15th International Conference on Music Perception and Cognition (p. 65), Concordia University Montreal, Canada.
Wöllner, C. & Hammerschmidt, D. (2018). Stretching time in audiovisual media: Influences of playback technology and music on perceived emotion and induced arousal. In E. Himonides, A. King, & F. Cuadrado (Eds.), Proceedings of the SEMPRE MET2018, 26–27 March 2018 (pp. 79–81), University College London.
Hammerschmidt, D., Wöllner, C., Albrecht, H., Hohagen, J. (2017). Music and slow motion: A study of eye movements in film and video clips. In Fink, L. K. & Lange, E. B. (Ed.), Conference on Music and Eye-Tracking (pp. 14–15), Max Planck Institute for Empirical Aesthetics, Frankfurt, Germany.
Wöllner, C., Albrecht, H., Hammerschmidt, D., & Hohagen, J. (2017). Slow motion in films and video clips: The role of music on perceived duration, emotions and eye movements. In E. van Dyck (Ed.), 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music (pp. 125–126), University of Ghent, Belgium.
Recent project-related publications by team members
Wöllner, C. (2019, forthcoming). Anticipated sonic actions and sounds in performance. In M. Grimshaw, M. Walther-Hansen, & M. Knakkergaard (Eds.), The Oxford handbook of sound and imagination, vol. 2 (chapter 2). New York: Oxford University Press.
Wöllner, C. (2018). Call and Response: Musical and bodily interactions in dyadic jazz improvisation. Musicae Scientiae, Online First.
Hammerschmidt, D., & Wöllner, C. (2017). Audio-visual quality perception in musical performance videos. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie [Yearbook of Music Psychology], 27, 112–127.
Wöllner, C. (Ed.) (2017). Body, Sound and Space in Music and Beyond: Multimodal Explorations. Abingdon, New York: Routledge.
Wöllner, C. (2017). Structured sounds in bodily and spatial dimensions (Introduction). In C. Wöllner (Ed.), Body, sound, and space in music and beyond. Multimodal explorations (pp. 1–10). Abingdon, New York: Routledge.
Wöllner, C. & Hohagen, J. (2017). Gestural qualities in music and outward bodily responses. In C. Wöllner (Ed.), Body, sound, and space in music and beyond. Multimodal explorations (pp. 69–88). Abingdon, New York: Routledge.
Wöllner, C. & Keller, P. (2017). Music with others: Ensembles, conductors, and interpersonal coordination. In R. Ashley & R. Timmers (Eds.), The Routledge companion to music cognition. New York: Routledge.
Wöllner, C. (2017). Audience responses in the light of perception-action theories of empathy. In E. King & C. Waddington (Eds.), Music and empathy (pp. 139–156). New York: Routledge.
Wöllner, C. & Halpern, A. (2016). Attentional flexibility and memory capacity in conductors and pianists. Attention, Perception, & Psychophysics, 78(1), 198–208. [DOI 10.3758/s13414-015-0989-z]
Sevdalis, V. & Wöllner, C. (2016). Capturing motion for enhancing performance: An embodied cognition perspective on sports and the performing arts. In M. Raab, B. Lobinger, S. Hoffmann, A. Pizzera, & S. Laborde (Eds.), Performance psychology. Perception, action, cognition, and emotion (pp. 223–234). Amsterdam: Academic Press/Elsevier.
Hammerschmidt, D., & Wöllner, C. (2015). The influence of image compression rate on perceived audio quality in music video-clips. In R. Timmers, N. Dibben, Z. Eitan, R. Granot, T. Metcalfe, A. Schiavio, & V. Williamson (Eds.), Proceedings of ICMEM 2015. International Conference on the Multimodal Experience of Music. Sheffield: HRI Online Publications.
